“Discover a lot of contradictory levels of authorship–anywhere between Alfred Hitchcock, Daphne Du Maurier, and you will David O. Selznick–for it 1940 movie are an entire success, however, and their first couple of-thirds it’s given that best a myth out-of adolescence since people of one’s Disney video clips, recording the fresh childlike, nameless heroine’s initiation toward mature mysteries away from sex, passing, and title, together with impossibility off getting back together this type of forces having nearest and dearest strictures.” — Dave Kehr, il Audience
“A marvelous illustration of brand new theatre because the a popular storyteller. Sherwood and Joan Harrison. ” – Leslie Halliwell, New Filmgoer’s Spouse
“Daphne Du Maurier’s pretty small top seller. turned a tale off worry and you may shame, electricity and classification. Exactly why are the film two times as interesting was Hitchcock’s anxiety about women, and in what way it is outside of the easy restrictions out-of narrative. A beneficial riveting and painful motion picture.” – Helen MacKintosh, TimeOut Movie Book
“The fresh absolute, swooning pleasure this particular motion picture affords – their melodrama, its love, its fancy threat – causes it to be necessary-select. it is an effective masterclass for the design. The fresh atic words, and reveals anything unusual in any film off any period: characters who transform, and so are satisfyingly proven to do it throughout the storyline. A superb throw is actually circular away from of the George Sanders, playing Rebecca’s caddish relative: once more, a remarkable lightness and you can virility on the acting, and, once more, some superb suitings. A beautiful lose from 1 of cinema’s gurus. To not ever become overlooked.” – Peter Bradshaw, New Guardian
“Consuming Lyle Wheeler’s astonishing indoor set (they dwarf Fontaine’s shy profile) and an amazingly caddish change away from a beneficial blackmailing George Sanders, Rebecca sweeps the new viewer together so you can an enthusiastic incendiary achievement.” – Thomas Dawson, BBC